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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Charles Perry

Charles Perry

Charles Perry

Charles Perry, c. 1863

Batchelder & O'Neill

Portrait, albumen photograph on carte de visite

Collection: National Portrait Gallery
Purchased 2012

Barry Humphries

Clifton Pugh

Previous exhibition, 2005

This exhibition offers a comprehensive display of Clifton Pugh's portraits revealing his development and growth from tonal paintings to a unique style that was in demand from politicians, artists, academics and Australian personalities.

William Robertson

200 Years of Portraiture

About Face article

To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.

Finalists announced for National Photographic Portrait Prize

14 November 2018

Archived media releases 2018

The National Portrait Gallery would like to congratulate the forty finalists for the National Photographic Portrait Prize 2019.

Charles Summers

Charles Summers

Charles Summers

Charles Summers, late 1860s

Batchelder & Company Photo

Portrait, albumen paper carte de visite

Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009

Reg Richardson AM

2015-17 Acquisition Fund

From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.

Sir Henry Barkly

Sir Henry Barkly

Sir Henry Barkly

Sir Henry Barkly, c. 1863

Batchelder & O'Neill

Portrait, albumen photograph carte de visite on card

Collection: National Portrait Gallery
Purchased 2010

Selfie Factory, 2017 by Ralph Kenke and Elmar Trefz

Ralph Kenke and Elmar Trefz win Digital Portraiture Award with Selfie Factory

1 December 2017

Archived media releases 2017

The National Portrait Gallery is pleased to announce Mr Ralph Kenke and Mr Elmar Trefz are the winners of the Digital Portraiture Award 2017 for their submission Selfie Factory.

Men of High Degree: Kev Carmody (Bundjalung/Lama Lama Peoples)

Men of High Degree: Kev Carmody (Bundjalung/Lama Lama Peoples)

Men of High Degree: Kev Carmody (Bundjalung/Lama Lama Peoples)

Men of High Degree: Kev Carmody (Bundjalung/Lama Lama Peoples), 2023

Brenda L Croft, Prue Hazelgrove, Richard Crampton

Portrait, original wet plate collodion process tintype, digital scan to Ultrachrome pigment on paper

Purchased 2023

Self portrait

Elegance in exile

Portrait drawings from colonial Australia

Previous exhibition, 2012

Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period.

Lady Barkly

Lady Barkly

Lady Barkly

Lady Barkly, 1863

Batchelder & O'Neill

Portrait, albumen silver carte de visite on card

Purchased 2014

Creator versus character - Chris Lilley

How to be a boy

Magazine article by Dr Christopher Chapman, 2011

Christopher Chapman profiles Chris Lilley, actor and creator of Angry Boys.

Daniel Johns, Silverchair Melbourne 2007 by Martin Philbey

Rock art

Magazine article by Andrew Mayo, 2016

Andrew Mayo talks to three of Australia’s most prominent and prolific music photographers — Martin Philbey, Kane Hibberd and Daniel Boud — about the challenges and inspiration behind their craft.

Catholic clergymen from the Diocese of Adelaide

Catholic clergymen from the Diocese of Adelaide

Catholic clergymen from the Diocese of Adelaide

Catholic clergymen from the Diocese of Adelaide, c. 1862

Stephen Edward Nixon

Portrait, carte de visite photograph

Purchased 2018

Self portrait

Portrait of a Modernist

Magazine article by Dimity Goldie, 2003

The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.

Ned Kelly death mask

Sideshow Alley

Infamy, the macabre & the portrait

Previous exhibition, 2015

Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency